Scenemonitor-pakke Beta Three - 4 x MU12M

Scenemonitor-pakke Beta Three - 4 x MU12M

GITARPAKKE - Savannah SGP-12 Sort, m/bag + stemmeapparat

GITARPAKKE - Savannah SGP-12 Sort, m/bag + stemmeapparat

Yamaha TF5 digitalmikser -DEMOMODELL-

Vanlig pris kr 37 797,00 Spesialpris kr 31 999,00
Produktnr
CTF5-DEMO

Vi selger vår utstillingsmodell! Mikseren er strøken og oppdatert med siste firmware. 

Om du trenger multi løsning gir vi gjerne tilbud med stagebokser og dante-kort.

Endelig har Yamaha laget en digitalmikser til en suverent pris med mange av de samme funksjonene og brukergrensesnittet fra sine andre prisbelønnede digitalmiksere. I første omgang kommer det 3 modeller med henhodsvis 16, 24 og 32 mik.preamper. Ta gjerne kontakt om du ønsker utfyllende informasjon eller demo.

 

 

High input capacity and fader count makes this powerful console ideal for larger applications.

 

  • 33 motor faders (32 channels + 1 master)
  • 48 input mixing channels (40 mono + 2 stereo + 2 return)
  • 20 Aux (8 mono + 6 stereo) + Stereo + Sub buses
  • 8 DCA groups with Roll-out
  • 32 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
  • 16 analog XLR outputs
  • 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
  • 1 expansion slot for NY64-D audio interface card
Yamaha has always made it a mission to stay in touch with the needs of sound engineers worldwide. The outcome is evident in the success of the recent CL and QL series digital mixing consoles, and the flagship RIVAGE PM10. The key to success has always been in supporting the user’s creativity. Creativity is most effective when unrestricted, and now Yamaha has created a new digital mixing console that gives the user's intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.

TF5, TF3, TF1

Outline

TF5

TF3

TF1

Fader Configuration

32 + 1 (Master)

24 + 1 (Master)

16 + 1 (Master)

Mixing Capacity

Input Channels

48 (40 mono + 2 stereo + 2 return)

48 (40 mono + 2 stereo + 2 return)

40 (32 mono + 2 stereo + 2 return)

Aux Buses

20 (8 mono + 6 stereo)

20 (8 mono + 6 stereo)

20 (8 mono + 6 stereo)

Stereo Buses

1

1

1

Sub Buses

1

1

1

Input channel functions

8 DCA Groups

8 DCA Groups

8 DCA Groups

I/O

Inputs

32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin)

24 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin)

16 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin)

Outputs

16 (XLR)

16 (XLR)

16 (XLR)

Expansion slots

1

1

1

On-board processors

DSP

8 Effects + 10 GEQ

8 Effects + 10 GEQ

8 Effects + 10 GEQ

USB

34x34 USB Audio Interface, 2-track recording via USB Storage Device

34x34 USB Audio Interface, 2-track recording via USB Storage Device

34x34 USB Audio Interface, 2-track recording via USB Storage Device

General specifications

TF5

TF3

TF1

Sampling frequency rate

Internal

48 kHz

48 kHz

48 kHz

Signal delay

Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz

Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz

Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz

Fader

100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders

100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders

100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders

Total harmonic distortion

Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)

Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)

Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)

Frequency response

+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT

+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT

+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT

Dynamic range

110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.

110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.

110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.

Hum & noise level

Equivalent input noise

–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)

–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)

–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)

Residual output noise

–85 dBu, ST master off (Measured with an A-Weight filter)

–85 dBu, ST master off (Measured with an A-Weight filter)

–85 dBu, ST master off (Measured with an A-Weight filter)

Crosstalk

–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.

–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.

–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.

Power requirements

100–240 V 50/60 Hz

100–240 V 50/60 Hz

100–240 V 50/60 Hz

Power consumption

120 W

110 W

100 W

Dimensions

W

866 mm (34.1in)

716 mm (28.2in)

510 mm (20.1in)

H

225 mm (8.9in)

225 mm (8.9in)

225 mm (8.9in)

D

599 mm (23.6in)

599 mm (23.6in)

599 mm (23.6in)

Net weight

20.0 kg (44.1lb)

17.0 kg (37.5lb)

13.5 kg (29.8lb)

Accessories

Quick Guide, Power Cord, CUBASE AI download information

Quick Guide, Power Cord, CUBASE AI download information

Quick Guide, Power Cord, CUBASE AI download information

Options

Expansion Card, Foot Switch (FC5)

Expansion Card, Foot Switch (FC5)

Rack-mount Kit RK5014, Expansion Card, Foot Switch (FC5)

Others

Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C

Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C

Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C

Analog input characteristics

Input Terminals

GAIN

Load 
Impedance

For Use With 
Nominal

Input Level

Connector

balanced / 
Unbalanced

Sensitivity*1

Nominal

Max. before clip 

INPUT1-32 (TF5) 
INPUT1-24 (TF3) 
INPUT1-16 (TF1)

+66dB

7.5K Ω 

50-600 Mics
or 600 Lines

-82dBu (61.6V)

-62dBu (0.616mV)

-42dBu (6.16mV)

Combo Jack (XLR-3-31 type *2 
or TRS phone *3)

Balanced

-6dB

-10dBu (245mV)

+10dBu (2.45V)

+30dBu (24.5V)

ST IN 1,2

10k

600 Lines

-30dBV (31.6V)

-10dBV (316mV)

+10dBV (3.16V)

RCA Pin Jack

Unbalanced

 

Mer informasjon
Produsent artikkelnrnei
Spesifikasjonernei
Beskrivelse

Vi selger vår utstillingsmodell! Mikseren er strøken og oppdatert med siste firmware. 

Om du trenger multi løsning gir vi gjerne tilbud med stagebokser og dante-kort.

Endelig har Yamaha laget en digitalmikser til en suverent pris med mange av de samme funksjonene og brukergrensesnittet fra sine andre prisbelønnede digitalmiksere. I første omgang kommer det 3 modeller med henhodsvis 16, 24 og 32 mik.preamper. Ta gjerne kontakt om du ønsker utfyllende informasjon eller demo.

 

 

High input capacity and fader count makes this powerful console ideal for larger applications.

 

  • 33 motor faders (32 channels + 1 master)
  • 48 input mixing channels (40 mono + 2 stereo + 2 return)
  • 20 Aux (8 mono + 6 stereo) + Stereo + Sub buses
  • 8 DCA groups with Roll-out
  • 32 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
  • 16 analog XLR outputs
  • 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
  • 1 expansion slot for NY64-D audio interface card
Yamaha has always made it a mission to stay in touch with the needs of sound engineers worldwide. The outcome is evident in the success of the recent CL and QL series digital mixing consoles, and the flagship RIVAGE PM10. The key to success has always been in supporting the user’s creativity. Creativity is most effective when unrestricted, and now Yamaha has created a new digital mixing console that gives the user's intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.

TF5, TF3, TF1

Outline

TF5

TF3

TF1

Fader Configuration

32 + 1 (Master)

24 + 1 (Master)

16 + 1 (Master)

Mixing Capacity

Input Channels

48 (40 mono + 2 stereo + 2 return)

48 (40 mono + 2 stereo + 2 return)

40 (32 mono + 2 stereo + 2 return)

Aux Buses

20 (8 mono + 6 stereo)

20 (8 mono + 6 stereo)

20 (8 mono + 6 stereo)

Stereo Buses

1

1

1

Sub Buses

1

1

1

Input channel functions

8 DCA Groups

8 DCA Groups

8 DCA Groups

I/O

Inputs

32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin)

24 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin)

16 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin)

Outputs

16 (XLR)

16 (XLR)

16 (XLR)

Expansion slots

1

1

1

On-board processors

DSP

8 Effects + 10 GEQ

8 Effects + 10 GEQ

8 Effects + 10 GEQ

USB

34x34 USB Audio Interface, 2-track recording via USB Storage Device

34x34 USB Audio Interface, 2-track recording via USB Storage Device

34x34 USB Audio Interface, 2-track recording via USB Storage Device

General specifications

TF5

TF3

TF1

Sampling frequency rate

Internal

48 kHz

48 kHz

48 kHz

Signal delay

Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz

Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz

Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz

Fader

100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders

100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders

100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders

Total harmonic distortion

Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)

Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)

Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)

Frequency response

+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT

+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT

+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT

Dynamic range

110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.

110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.

110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.

Hum & noise level

Equivalent input noise

–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)

–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)

–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)

Residual output noise

–85 dBu, ST master off (Measured with an A-Weight filter)

–85 dBu, ST master off (Measured with an A-Weight filter)

–85 dBu, ST master off (Measured with an A-Weight filter)

Crosstalk

–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.

–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.

–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.

Power requirements

100–240 V 50/60 Hz

100–240 V 50/60 Hz

100–240 V 50/60 Hz

Power consumption

120 W

110 W

100 W

Dimensions

W

866 mm (34.1in)

716 mm (28.2in)

510 mm (20.1in)

H

225 mm (8.9in)

225 mm (8.9in)

225 mm (8.9in)

D

599 mm (23.6in)

599 mm (23.6in)

599 mm (23.6in)

Net weight

20.0 kg (44.1lb)

17.0 kg (37.5lb)

13.5 kg (29.8lb)

Accessories

Quick Guide, Power Cord, CUBASE AI download information

Quick Guide, Power Cord, CUBASE AI download information

Quick Guide, Power Cord, CUBASE AI download information

Options

Expansion Card, Foot Switch (FC5)

Expansion Card, Foot Switch (FC5)

Rack-mount Kit RK5014, Expansion Card, Foot Switch (FC5)

Others

Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C

Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C

Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C

Analog input characteristics

Input Terminals

GAIN

Load 
Impedance

For Use With 
Nominal

Input Level

Connector

balanced / 
Unbalanced

Sensitivity*1

Nominal

Max. before clip 

INPUT1-32 (TF5) 
INPUT1-24 (TF3) 
INPUT1-16 (TF1)

+66dB

7.5K Ω 

50-600 Mics
or 600 Lines

-82dBu (61.6V)

-62dBu (0.616mV)

-42dBu (6.16mV)

Combo Jack (XLR-3-31 type *2 
or TRS phone *3)

Balanced

-6dB

-10dBu (245mV)

+10dBu (2.45V)

+30dBu (24.5V)

ST IN 1,2

10k

600 Lines

-30dBV (31.6V)

-10dBV (316mV)

+10dBV (3.16V)

RCA Pin Jack

Unbalanced

 

ProdusentYamaha
Fargenei