The PVXp™ 10 Bluetooth® features a reliable bi-amped power section that provides a total of 520 Watts of peak dynamic power with DSP based compression and limiting. This enclosure features a 10″ heavy-duty woofer with a 2 3/8 inch voice coil and 50 ounce magnet, and the RX10 compression driver with a 1 inch titanium diaphragm on a 100 degree horizontal x 60 degree vertical pattern asymmetrical horn. The PVXp™ 10 Bluetooth® provides two channels with a balanced input via a combination jack that accepts balanced TRS 1/4″ inch input as well as a balanced XLR input. A switch is provided to change between line level gain and mic level gain. A third channel is for a Bluetooth source, or alternatively a 1/8″ AUX input jack. Each channel has an adjustable Level control and a three-band EQ section. There is a balanced output, a Male XLR, that can feed the mixed signals from the three channels out to another component. A front baffle LED indicator that can be set to light when power is on, and when the «soft-limiting» DDT circuit is activated, or it can be turned off altogether. The LCD display and EQ presets, along with other DSP operating parameters are accessed via a one-knob selector.
- Two-way bi-amped sound reinforcement enclosure
- RX10™ compression driver, with 1 inch titanium diaphragm
- Reliable fan-cooled power amps with DSP protection
- Total of 520W peak dynamic power
- DSP control for precise crossover, EQ and limiting functions
- Bluetooth input is via a dedicated input channel
- Mix/Thru Output is via a male XLR jack
- Durable plastic injection-molded trapezoidal enclosure
- Extra angled section on right side allows floor monitor use
- Pole mount molded-in for 1 3/8″ diameter poles
- Top and bottom flying point inserts
- 10 heavy-duty woofer with 2 3/8″ voice coil & 50 oz. magnet
- Full-coverage heavy-duty perforated steel grilles, with powder coat finish
- DSP I/O is at 48 kHz and 24 bits, internal processing is 56 bit double-precision
- Peavey’s Quadratic Throat Waveguide technology, 100 by 60 degree coverage
- Asymmetrical horn aims the sound down 10 degrees, at the audience, not over their heads
- Analog input is via a combo female XLR and 1/4″ TRS phone jack with balanced input
- Three channels in total, two for analog, and one for Bluetooth or AUX input via a 1/8″ jack
- Each channel has a level control and a 3-band EQ section to adjust and shape the input signals
